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Archive for the ‘Alemania’ Category

Building bridges, making new perspectives possible.

Born on 30 March 1966 in Frankfurt am Main, Germany, the graphic artist Christina Seibold understands the pieces around her in close relation to her own emotions and synaesthetic perceptions as the core around which she weaves spherical worlds of experience and condenses them into lively, many-facetted art prints. The eye can wander and always discover something new.

With a close relationship to her own emotions and inspiring music, lively, many-faceted digital graphics are created that allow the eye to wander and continually discover something new.
Christina Seibold presents inner realities in her pictures that move her and express themselves in a new way within her.

Time and again, these works created with emotional power reveal „quotes“ from a concrete world of forms that Christina Seibold dissolves and changes in an extraordinarily subtle way. Such discernible contours and forms open up to the observer‘s eye as he or she becomes immersed in the depths of these energetic works. Then they disclose a fantastic inner world in which dynamic forces are at work.

A look at the art prints divulges their spontaneity and emotionality, as well as their inwardly directed contemplation or the vivid design of deep, ardent worlds of feelings. As a dynamic counteracting force, the exciting sweeps that the graphic artist blends into her works frequently have an effect in the exhibits.

For Christina Seibold, letting her graphics assume their form is a means for depicting the visual poetry that succeeds in lending soul to spaces. These fascinate the viewer in their density and abundance of expression but never make an overpowering impression.

Christina Seibold is a co-founder of the artist group ArSenu/Z11-Primo.
Here she created in collaboration with jewelry designers a unique visual work (Expression) fits into a piece of jewelry. The echo in professional circles and the audience was furious.

Art Awards:
„Vielfalt Digitaler Kunst 2008“ for her art work “Hope”
Honorable Mention Winner of the DIGITALISM I 2008, New York for her art work “Hope”
Honorable Mention Winner of the On-line/On-wall Double Exposure 2008, New York, for her art work “unchained melody”
2nd Place Award Digital Realities, January 2009 ARTROM, Rom/Italy for “Sound of swinging symphony”
Indexed in „Who’s Who in Visual Art“ Vol. 2010-2011
100 Artists in Painting, GraphicArts, Digital Arts, Sculpture

Participation in exhibitions with national and international participation:

MOCA Museum New York, Gallery inBgriff, Berlin, Art Domain Galerie, Leipzig, Saatchi Gallery, London, Frankfurt/Main, Kunst in der Kanzlei SBS, Dortmund, Schmuckwelten – Designwelten, Pforzheim, Kunstlege Hohenegg (Allgäu), Siegen, Göppingen, Northeim, Art Fair/Kunstforum Salzburg (Austria), Art Fair Grenzenlos Feldkirch (Österreich), International Artfair, Salzburg, Austria, artclub gallery, Cologne, The Sounds of Art, Copenhagen, 7. BIENNALE INTERNAZIONALE DELL’ARTE CONTEMPORANEA, Florenz/Italia

A variety of art works owned by private collectors
all over Europe and in the U.S.A. (New York, Philadelphia/PA).
–

The editions of each Fine Art Graphic are strictly limited and using a certificate and an ongoing documented serial number.

permanent representation:
Berlin: Gallery inBgriff – kunst raum … raum kunst
Cologne: artclub gallery
Munich/Starnberg: vivissima
Philadelphia/PA USA

Art and Emotion ©
Christina Seibold
Phone: 0049 (0)151 15 77 46 82

EGG-ART

The egg is the egg is the egg…
or
Did you ever know your egg?

An approaching attempt

EGG-ART signifies a ludicrous way to operate with the egg as a material basis to create digital graphics – but it is not quite sure in any moment whether I am doing something with the egg or the egg is doing something with me… In the first case, I am the creatress of EGG-ART, in the second one the egg itself is the focus of art. Anyway – all who perceive EGG-ART should make their own decision!

All in life develops between to be or not to be, between mystery and knowledge, between truth and non-perception, knowingly I don`t say lie. For me – all this is mirrored and reflected within the female mystery of the little egg. It gives to me the opportunity to play in a ludicrous way with the fantastic secrets of life and growing in life. For me it is a creative gift and a universal symbol of life and womanliness.

CV
Johanna Renate Wöhlke
under stage name
Cosia Immerscheen

Born:
1950 in Pegau/Leipzig (Germany)
Studies:
political sciences, constitutional und international law in Hamburg, university degree: Diplom-Politologin
Living and Working:
Hamburg (Germany)
Profession:
journalist and press photographer, author, songwriter and setting to music own texts, 4 books published ( lyric poetry, prose, gloss)
EGG-ART:
created in 2008 : ludicrous digital photo-graphics with eggs
EGG-ART in Exhibitions:
2009: Miami USA in March-April: “Salon del Arte”
2009: Hamburg in March: “Wein, Sein und Ei”
2009: Hamburg: “Solanum melongena”
2009: Villach (Austria) in October: “download 100”

Lebenslauf:
1964 in Oldenburg/Niedersachsen geboren

Abitur

Jurastudium in Würzburg und Freiburg

Ausbildung zum Mediengestalter in Köln

Grafikstudium an der Technischen Kunstschule Hamburg

Atelier im Kunstzentrum Wachsfabrik, Köln

Seit 2007 Geschäftsführer der Ateliergemeinschaft

2009 St. Theodor, Köln

“Von der Endlichkeit”

2008
International Biennial of Contemporary Art
“Art With Roots in the Earth”
Chapingo, Mexiko

2007 Kunstzentrum Wachsfabrik, Köln
2006 Kunstzentrum Wachsfabrik, Köln
2004 Rathaus Spanischer Bau, Köln
2003 Erstellung eines neuen Stadtwappens
für den Sitzungssaal des Rathauses Spanischer Bau
und die Außenfassade des Historischen Rathauses, Köln
2001 Technologie Park, Bergisch Gladbach

KÖLNGALERIE, Köln
2000 ”Begegnung Kunst”, Zikkurat Mechernich
KÖLNGALERIE, Köln
1999 ”Skulptur Draussen”, Köln
1998 Kunstzelt, Köln
1997 Gothaer Kunstforum, Köln
KPV-Kunstforum, Köln
Galerie Art & Anlage, Oldenburg
1996 Galerie am Buttermarkt, Köln
V. Festival Kunstplätze; Skulpturenausstellungen:
Flughafen Köln/Bonn
Friedrich Naumann Stiftung, Königswinter
Dt. Forschungsanstalt für Luft- und Raumfahrt, Köln
Bundesanstalt für Straßenwesen, Bensberg
Galerie Unikat, Mönchengladbach
Hetjens Museum, Düsseldorf
1995 Galerie am Nil /Kunsthaus Rhenania, Köln
Leolux, Art-Forum, Krefeld
1994 Art Frankfurt (Galerie Heseler)
Verkehrsministerium, Bonn
Cabinett Tintenklecks, Köln

KURZ – VITA
In Berlin 1938 geboren – Studium der Pädagogik -
Figurinen aus Ton – Skulpturen in Stahl und Designer-Tische -
Acryl-Malerei im konkreten Stil – ab 1990 realistische Bilder und Arbeit an der neuen Kunstrichtung – DRITTE DIMENSION -
Dazwischen verschiedene Einzelausstellungen…

A good eye for the right moment

The powerful play between light and colours is one of the central motifs in Udo A. Heinrich’s work – the painter who was born in the Lower Rhine area, however, doesn’t very much like to be in the spotlight himself. “That’s right”, confirms the virtuosic artist who crosses the border between Photographic Realism and New Objectivity. “It is my paintings that are supposed to speak to the people, not me as a person. This would only unnecessarily distract my art’s aficionados from my work.” And Heinrich only makes few exceptions in this respect. Merely when he donates paintings for charity and is, for example, involved with UNICEF, he cannot pull himself away from the interest of the general public and the media. “But in these cases it is OK, because after all it reminds people to do something for others as well”, ponders the artist who has been living in the countryside outside of Leipzig for several years now with his wife Alexandra. The picturesque landscape and the immediate proximity to the Saxon cultural metropolis of Leipzig prompted him to move at the time.

Original snapshots

In his youth already Heinrich received the Konrad Duden memorial prize for his first works in pen and Indian ink. Since then he has consequently widened his spectrum, has studied 20th century painters and today masters various painting techniques in watercolour, acrylic or oil with stylistic confidence and filigree precision. The spectrum of his affectionately chosen motifs reaches from landscapes, ocean scenes, animals and flowers to original snapshots of golfing, his favourite pastime. Not without reason did Heinrich for many years relocate his winter residence to Florida, the golfers’ Mekka. In addition, the proportions of light in the southernmost state of the US inspired him, as is documented by his paintings of the Everglades and other nature scenes.

Nowadays, Heinrich mostly spends the year’s cold months on the island of Gran Canaria – or to be more precise: in his winter-studio in Las Palmas de Gran Canaria. The globetrotter, who on a regular basis also partakes in study trips to exotic places such as Mauritius, the Arabian Emirates or the Caribbean, was therefore able to open his literally international work to an ever growing circle of art lovers both in Germany and abroad. “As I’m continually exhibiting in galleries, smaller museums or golf clubs in Florida, Germany and on the Canary Isles, my paintings have generally become globetrotters themselves. Excluding those, of course, finding a new home through a buyer”, Heinrich jokes. And the interest is growing continuously. Especially his golf paintings meet with positive response – and not just among golf buffs.

Surprising light effects

Currently Heinrich is working on a new series of paintings called ‘Profiles and Connections’. Leading off is a side-face painting of German Chancellor Angela Merkel – the background also showing Katharina the Great. Dr Evelin Priebe, Fine Arts Scholar from Hamburg comments: “With his ‘Profiles and Connections’ Udo A. Heinrich wants to expose something characteristic, something essential of the person portrayed and take a stand. The nexus of (former) monarchs or their regalia and somebody portrayed is by all means prevalent in the history of painting. Thereby, claims to power were formulated and legitimised, the perception of the beholder was modulated.”

Already in his childhood did the enthralling contrast between light and shadow inspire Heinrich to do art. One catalyst was definitely the “Night Song” [original title: “Abendlied”] by German poet Matthias Claudius (1740-1815): “There it says ‘Do you see the moon standing there/ There is only half of it to see/ And yet it is round, and fair!’ That passage fascinated me, and back then I already understood that there is much more hidden behind many things than we can grasp at first sight”, says Heinrich. A direct expression of this philosophy are last but not least his macro presentations of flowers and blossoms: The fragmentary paintings – created as if the artist was holding a magnifying glass in his hand – require the beholder to take his time and to look even closer in order to capture the work as a whole. Powerful colours and surprising light effects are the dominant force here as well.

To put it in a nutshell, Heinrich always demonstrates a good eye for the right moment: May it be a golf player seconds before the shot, the diffuse half-light during a sunset on Gran Canaria or the lurking gaze of a Florida panther hiding on a tree – Heinrich always “catches” his motifs in a key moment.

Born 1951 in Düsseldorf, Germany
Living and working in Krefeld, Germany
Photography since childhood
From 1990 digital composing with computer aid, first working with scans, from 1998 digital
photography.
From 2003 own photo studio
2004 start of exhibiting own works
2004-2005 member of artist group „groupe surreal“, Krefeld, Germany
2005 co-founder of artist group ARTeam
2008 member of International Artist group Webism

Exhibitions
June 2004 – Muehlenturm – Amern, Germany
October 2004 – Surreal night – Krefeld, Germany
Oktober 2004 – Muehlenturm Geldern, Germany
December 2004 – Suedgang Krefeld, Germany
February 2005 – 2. surreal night Kempen, Germany
April 2005 – 3. – Art fair Kempen, Germany
May 2005 – Exhibition at horse racing center, Krefeld, Germany
June 2005 – Cultural center “Wasserwerk” in Wachtendonk, Germany
June to October 2005 – Kunst Treff Krefeld, Germany
September 2005 – Mühlenturm Geldern, Germany
September 2005 – Ouverture, Maasport, Venlo, Netherlands
September 2005 – 3. surreal night, Muencker-Villa, Krefeld, Germany
October to November 2005 – Coffee-In, Rheydt, Germany
December 2005 – Suedgang Krefeld, Germany
January 2006 – “Krefeld Carrée”, Germany
March to April 2006 – Kaufhof, Krefeld, Germany
May 2006 – “Vamp” Gallery “Arts are Us”,Duesseldorf, Germany
May 2006 – „Vamp“ at Museum night, Duesseldorf ,Germany
July 2006 – ARTeam at CALIDA Krefeld, Germany
August to September 2006 – derartderort III, Gotha, Germany
1.-3.September 2006 – 18. Rhein-Erft- Art exhibition, Abtei Brauweiler, Germany
January 2007 – Kunst Carré, Krefeld, Germany
August, 31 to september, 1, 2007 – 19. Rhein- Erft- Art exhibition, Abtei Brauweiler, Germany
October 13 – 31, 2007 – „Uncomfortable landscapes“ – Primopiano LivinGallery, Lecce, Italia
October 20 – 21, 2007 – Art fair – Bergisch- Gladbach, Germany
November25, 2007 – Art fair, Leverkusen, Germany
February 2008 – Jazzkeller Krefeld, Germany
From March 2008 – Kunstraum Krefeld, Germany
April 2008 – „Dress code“, Primopiano LivinGallery, Lecce, Italien
August to September, 2008 – Rhineland Fair, Krefeld, Germany
September 2008 – „Political matters“, Parliament of North Rhine Westfalia, Duesseldorf, Germany
October to November 2008 – Montmartre, Schwanenmarkt, Krefeld, Germany
February to March 2009 – IMAGE:N:ARY, Galerie Buchta/Schramm, Krefeld, Germany
March to April 2009 – Salón del Arte, Miami, Florida, USA
June 2009 – “UnityArt”, Hochschule Niederrhein, Krefeld, Germany
June to September 2009 – “Solanum melongena – Eierbaum”, Helmspark- Galerie, Hittfeld near Hamburg, Germany
July to August 2009 – “Mit allen Sinnen sehen”, Dachau, Germany
August 2009 – Annual ArtInternational exhibition, Vienna, Austria
Oktober 2009 – “download 100″, Villach, Austria
Book
Philemon und Baucis, ISBN 978-3-86858-243-7, Shaker Media Verlag, Mai 2009
http://www.shaker-media.eu/de/content/bookshop/index.asp?ID=2&ISBN=978-3-86858-243-7